January 01, 2012
In addition to her own personal problems, Samantha must deal with the advances of a determined geek named Ted (Anthony Michael Hall), who hides his insecurities behind a facade of mock-macho-self-aggrandizement. Hall's performance is terrific, and so is Ringwald's. Writer-director John Hughes had an incredible talent for casting young actors and eliciting believable performances from them that deepened the characters and made them endearing to the audience. So, while Sixteen Candles is a completely unreal fairy tale of a movie, its characters feel nuanced. They're fleshed out beyond their stereotypes, and become people you care about.
The humor is at times unsustained, but overall Sixteen Candles feels like a wonderfully fun late night: it breezes along without taking itself too seriously (like Hughes's follow-up, The Breakfast Club, did). Movies that take place in virtually 24 hours must have a vitality to them in order to be convincing. Sixteen Candles works, despite its shortcomings.
Paul Dooley co-stars as Samantha's dad. He's probably my favorite onscreen dad because of his performances in this movie and in Breaking Away. With Gedde Watanabe, Carlin Glynn, John Cusack, Justin Henry, Edward Andrews, Billie Bird, Max Showalter, Carole Cook, Liane Curtis, Blanche Baker, Joan Cusack, Jami Gertz.